Extending the life of a favourite quilt

After almost 6 years of daily use,  my daughter's bed quilt came back home with me for some TLC last August.  When I visited my daughter last summer, she showed me several places where the hand quilting was coming out.  

Broken hand quilted stitching

I thought there were only a few spots and expected to make a some quick repairs while I was visiting, but when we went over the blocks indivudually, there were many, many spots with broken stitching.

More broken hand quilted stitching

It looks like the thread just broke in multiple places.  In hindsight, I realize the thread I used to quilt was rather old, and probably not very strong anymore.  Cue daughter's sad face.  For life reasons, this quilt means a lot, so the quilt came home with me so I could ponder the best way to extend its life.

I thought I could pull out stitches on either side of each break so I could knot and bury the thread to secure the stitching, then stitch new stitches in the gaps.  After mulling this over for a while, it occurred to me that if the thread of the original stitches had broken in so many places, more breaks would inevitably pop up after I repaired the current breaks.

Re-quilting the whole quilt by hand wasn't an option.  It took me a year and a half to quilt it the first time, and that was before I started getting tingling in my fingers after less than a half hour of stitching.

Machine quilting was one option, but daughter and I both wanted to preserve the look of the hand stitching.  In the end, I came up with a compromise.

Walking foot quilting in the ditch

I'm going to stitch in the ditch along all the curves.  I had hand quilted in the ditch originally, so those stitches are being covered up by the machine quilting, but it's hidden in the ditch so it won't change the look of things much.

All the visible hand stitching will stay as is.  Some will inevitably disappear where the thread has broken or will break, but some will survive and hopefully maintain the original character of the quilt.  The machine quilting in the ditch is dense enough to keep the layers together no matter what happens to the hand stitching.

It's a bit of a chore to turn the quilt, especially when lots of it need to go through the machine's throat space.

Lots of bunching to get through the throat

A little easier when there's less quilt on the right and more on the left...

I think it looks OK on the back too. If you look carefully you can make out the machine stitching over old hand quilting, the hand quilting I'm leaving as is, and a break in the original stitching.

I think it's going to work out.  I just need to keep plugging away a little each day so I finish the quilting in time to take it back to British Columbia next month when we attend her graduation from UBC.

Just keep stitching, just keep stitching...

Joanne

Pattern was Chic Country by Sew Kind of Wonderful. 
I added borders and tweaked the colours in the edge blocks to blend into the border.

PS:  If you would like to see the evolution of this quilt, I blogged about it in progress many times

• March 2016 - First peek at the fabric pull
• November 2016 - Starting to cut fabric
• January 2017 - Starting to piece and failing random colour placement
•  February 2017 - Redesiging the border and finishing the top
• January 2018 - hand quilting progress
• August 2018 - progress update
• January 2019 - finshed quilt on the blog (finished in late December)

Spinning multiple intersections

When we speak of spinning seam allowances when pressing, it's often in reference to one seam intersection in one block, such as at the center of a four-patch block. What happens when there are more than one intersection along a long seam?

Let's take a look at a nine-patch.

First, if you need to know what I mean by spinning seams or need a refresher about how it's done, go read this post.  Make sure to read all the way to the end for the spinning part. Go ahead.  I'll wait.

OK, back to the nine-patch: 3 rows of 3 squares. Here's the start of one, with squares sewn into rows.  The white arrows show the directions in which I pressed seams in each row.  By pressing the seams in the middle row in opposite directions to the seams in the other rows, I'll be able to nest and spin the seams.

Here's what that looks like on the back after I sew the top and middle row together.  The new seam is the horizontal one in the photo, not yet pressed.

Let's take care of the seam intersection on the left first.

You see that the center portion of the horizontal seam will end up pressed towards the top row.  That works out just right, as this direction is also the direction it needs to be to spin the seams at the second seam intersection as well, as you see below.

Adding the next row of squares, nesting seams, looks like this:

Spining one intersection sets the stage for spinning the other as well.

You can see how all the seam intersections are nice and flat.  

Note that I could have reversed all the pressing directions in the very first picture.   As long as they allowed seams to nest in the next step, I still would have been able to spin the seams at the intersections.  They simply would have spun in opposite directions to what is pictured here.

This example used a plain nine-patch, but it would also work where some or all parts of the nine-patch are pieced units.  You just need to plan pressing directions at each step to nest all seams when joining rows.  The following block is a fine example.

The white arrows show the pressing directions to press seams between units so that you can nest seams when joining rows. 

Spinning seams at one intersection will flow into the seams being oriented properly to spin seams at the next intersection, and so on.

This may seem a little daunting at first, but it will really make sense when you start pressing.  Just remember to always start with pressing to nest seams, and the rest will flow from there.

Of course, there will be occasions where you will end up with an intersection that can't be spun,  but I find it's always worth spinning wherever I can to minimize bulky seam intersections.

Have you tried spinning seams?  Do you have any tips to share?  Let me know in the comments.

Happy quilting,

Joanne

Spring Flowers, quilty versions

It's a  beautiful spring day here.  The blue skies and blooming daffodils are inspiring me to pull out some garden-inspired quilts.  I thought you might enjoy a round-up of my collection.

Prairie Mix

I'm not sure what I love more in Prairie Mix:  the fun little flower blocks, the pieced yellow pointy border accent, or the red and white dot border fabric.

Prairie Mix by canuck Quilter Designs made in 2020

Despite the assorted shapes in this quilt, I only had to cut and sew squares  and rectangles.  Thanks to stitch-and-flip corners, I didn't have to deal with a single individual triangle. You can read more about the making of this quilt here and see more pictures in this post.

Prairie Mix block

Sweet Trails

I love a twist on a classic block.  Sweet Trails extends the snail's trail block to turn the mollusc into a flower.  Snails are fine, but I like flowers more :)

Sweet Trails by Canuck Quilter Designs made in June 2023
with Island Batik's Heavy Metal collection

I couldn't avoid cutting and working with triangles for this one, but they were worth it.  I did make a lot of test blocks to test cutting sizes and trimming measurements to choose the most consistent method for the pattern.  Read more about the block and the pattern.

I need to finish some these and make a few more for another quilt.

Sun Seekers

This is a scaled down version of Sew Kind Of Wonderful's pattern Soak Up the Sun.  I didn't want to sew as many curves as the original required, and I wanted to use up a pile of neutral scraps, so I filled the background with scraps squares and made just 3 sunflower blocks.  I addded prairie point embellishments in the border, just because I could and they seemed like fun.  You can see Rosie liked this one.

The Rosie picture is more fun, but here's a beter view of the whole quilt.

Sun Seekers finished in 2020
Block design by Sew Kind of Wonderful

Fabulous Phlox

This one's brand new!  I need to give it a post all its own.  I'll add that to my list :)

Fabulous Phlox by Canuck Quilter Designs
made with with Island Batik's Everlasting collection

I made this one for Island Batik's Spring 2025 catalog that was just released.  They sent me fabrics from their new collection Everlasting.   When I first drew this, I almost discarded the idea because of all the HST, but making them with triangle papers (template included in pattern) made them quick and easy.  I love that there were no sashing and no borders to fiddle with.  The layout is juts blocks on point.

I think it's lovely on a light background too, though I've only mocked up, not sewn, that version.

Fabulous Phlox design by Canuck Quilter Designs
mocked up in Island Batik's Everlasting collection.

Focus Squared

This one isn't inherently a flower design, but I used a floral fabric as the focus print.

Focus Squared by Canuck Quilter Designs

I just love that hydrangea print. I'm sorry I don't have any information about it.  It's several years old so I'm not sure you could find this exact rpint now anyway, but I'm sure there's something equally pretty available now.  This is a great flower-themed quilt without the extra effort of piecing or appliqueing flower blocks.  

That's all the flower qulits I've pulled out of storage for now.  Do you have a favourite flower quilt?  I've seen some really lovely ones online.  Which have you made?

Happy quilting,

Joanne