Monday, October 19, 2026

City Line QAL - Week 5

Graphic with photo of 8 blue fabrics in the background and a digital mockup of the City Line Quilt in the foreground.  Text reads "City Line Quilt Along, Sept.21 - Oct.26, 2026.  Week 5".
City Line pattern available here

Are you ready to slice up a perfectly good pieced panel?  I'm not going to lie.  This is the part where I have to take a lot of deep breaths!

This week we'll be completing Steps 2 through 6 on page 6 of the pattern.

Here's where we left off last week:

Assorted blue and grey patchwork strips oriented vertically,sewn side by side. Composed of pairs of blue strips side by side with the darker fabric on the left. Grey triangles at each corner of each strip pair shape the ends of the strip pairs into points.  Additinal grey rectangles above and/or below each strip pair vary the vertical positions of the blue pairs.
Thank you to White Owl Textiles for sending me
 these fabrics from their Fundamentals collections. 
Scroll to the bottom of this post for additional fabric details.


To measure and make the cut all the way across this panel, I cleared everything except my cutting mat off my table.  I spread the quilt on the table, letting the bottom of the panel hang off the side.

Quilt top with strips of assorted blue fabric on a grey background, draped over a table, overhanging over the left side of the table.  there is a quilting ruler and a rotary cutter on top of the quilt.

After confirming that the top of the quilt was straight and square with the sides, thanks to all my pinning, I used a 24" ruler and the first method described in my tutorial about cutting wide strips to cut away the top of the panel.  Did I double check the required measurement and my ruler position half a dozen times before wielding the rotary cutter?  Yes.  Yes, I did.  Take your time at this step.

Blue and grey quilt top on a table.  A cutting mat peeks out from under the quilt top. Quilt top is partially cut and a quilting riler and rotary cutter are positioned to extend the cut.

Ta dah!  Two haves.

Quilt top cut in two parts horizontally across the middle.  The top section is shorter than the lower section.  Quilt top is compose of assorted blue vertical strips at various heights on a grey background.

Now slice off a wide strip from the bottom half.  

Section of a quilt top with strips of assorted blue fabric on a grey background, on a table, partially cut across the blue strips. A quilting ruler and a rotary cutter are positioned on top of the fabric to extend the cut.

Quilt top with assorted blue vertical columns, sliced into 3 sections.  The top and bottom sections are of equal height.  The center sections is a thinner strip.

These two cut carved out a strip from the middle of the panel.

Now slice that strip up.

A quilt top featuring assorted blue vertical strips is sliced into 5 wide top and lower sections and 3 skinny strips in the middle.


Flip a couple of those skinny strips.

A quilt top featuring assorted blue vertical strips is sliced into 2 wide top and lower sections and 3 skinny strip sections in the middle.  The upper and lower skinny strips are flipped 180 degrees to reverse the colour order of its parts relative to the other sections.

Sew those skinny strips back together.  If you pressed as the pattern directed, you should be able to nest the seams, as well as spin the seam intersections when you press.  Refer to my tutorial on nesting and spinning seams.  You'll probably want to peek at the one about spinning multiple intersections as well if you're not a habitual seam spinner.

Pressing and spinning after sewing two of the strips together, than adding the third strip, will make things easier.  I'm a big fan of pressing as I go.

Take a peek at my spun seams.  Aren't those little 4-patches in the seam allowances cute.  Enjoy them now before they end up inside the quilt!

The reverse of a patchwork unit showing the seam allowances and the small four patch design created by spinning the seam allowances when pressing..

The reverse of a patchwork unit showing the seam allowances and the small four patch design created at the seam intersectionsby spinning the seam allowances when pressing.

The reverse of a patchwork unit showing the seam allowances and the small four patch design created at the seam intersectionsby spinning the seam allowances when pressing.

That's it for this week.  It's not a lot of sewing, but that gut-check cutting was a little bit daunting so I gave myself an easy week.  Here's where I'm stopping until next week.

3 sections of a quilt top in progess.  The upper and lower sections feature 24 assorted blue fabric strips oriented vertically, arranged side by side, each with a pointy tip.  The center section is composed of small assorted blue squares laid out in a 24 square x 3 square grid.

We'll wrap up next week with sashing and borders.  I can't wait to see your finished tops!

Happy sewing,
Joanne

Fabrics for my version contributed by White Owl Textiles


Monday, October 12, 2026

City Line QAL - Week 4

Graphic with photo of 8 blue fabrics in the background and a digital mockup of the City Line Quilt in the foreground.  Text reads "City Line Quilt Along, Sept.21 - Oct.26, 2026.  Week 4".
City Line pattern available here

It's time to vary the vertical position of the columns and assemble the base panel.  


Add Background Setting Pieces

Turn to page 5 of the pattern.

Refer back to Week 2 when you paired your strips and put them in order.  Arrange your strip sets in that order again.  Only 8 of the fabrics in the photo below are labelled because I chose to just repeat that arrangement and I could use the labelled columns as reference.

12 pairs of assorted blue strips side by side, with grey triangles shaping each end of each strip pair in a point.  Small white square labels are fixed to the first 8 blue strips, labelled 1 through 8 in order.
Thank you to White Owl Textiles for sending me
 these fabrics from their Fundamentals collections. 
Scroll to the bottom of this post for additional fabric details.

Now refer to the table and the diagrams on page 5 to see which background setting pieces to add to each column.  I chose to put the pieces up on my design wall above or below the column they belong with so I could quickly grab columns and setting pieces to sew together.  That's completely optional.  You could just as easily grab a column, consult the table and diagram on page 4 to choose the appropriate setting piece, and head directly to the sewing machine.

12 pairs of assorted blue strips side by side, with grey triangles shaping each end of each strip pair in a point.  Small white square labels are fixed to the first 8 blue strips, labelled 1 through 8 in order.  Grey rectangles in assorted sizes are positioned above and below the blue strip pairs.

When sewing a background piece to a column, I recommend sewing with the column on top.  This way you can see the stitching that forms the point of the column and can make sure your new seam intersects the point so you don't inadvertently blunt the point.

Hand guiding a pieced fabric unit under the presser foot of a sewing machine.

I slow down here and aim for where the previous lines of stitches intersect.

Presser foot and needle of a sewing machine, jusdt behind a seam intersection on a pieced unit being fed under the presser foot..

Wrong side of a patchwork unit, showing intersecting lines of stitching

Let's check that the point didn't get cut off by the new seam.

Closeup of a patchwork unit.  A pair of blue strios, light blue on top and dark blue on the bottom, are tapered to a point by grey triangles added to the corners.  Additional grey fabric beside the triangles extends the length of the unit.

Looks good!  Repeat to add setting pieces to all the columns. 

12 long patchwork units, oriented vertically, displayed side by side.  Each unit is composed of two blue strips sewn side by side with the darker fabric on the left. Grey triangles at each corner of the strip pair shape the ends of the strip pairs into points.  Additinal grey rectangles above and/or below each strip pair vary the vertical positions of the blue pairs.


This is starting to look like the cover design!


Assemble Column Into a Panel

To wrap up this week's tasks, turn to page 6 and complete Step 1, sewing the columns together into a panel.  I recommend marking centers, matching ends, and pinning as you did when you made the strip sets in Week 2.  You can review the pinning tutorial if you need to.

12 long patchwork units, oriented vertically, displayed side by side.  Each unit is composed of two blue strips sewn side by side with the darker fabric on the left. Grey triangles at each corner of the strip pair shape the ends of the strip pairs into points.  Additinal grey rectangles above and/or below each strip pair vary the vertical positions of the blue pairs.  Pairs are sewn together into groups of 2.

12 long patchwork units, oriented vertically, displayed side by side.  Each unit is composed of two blue strips sewn side by side with the darker fabric on the left. Grey triangles at each corner of the strip pair shape the ends of the strip pairs into points.  Additinal grey rectangles above and/or below each strip pair vary the vertical positions of the blue pairs.  Pairs are sewn together into groups of 4

Assorted blue and grey patchwork strips oriented vertically,sewn side by side. Composed of pairs of blue strips side by side with the darker fabric on the left. Grey triangles at each corner of each strip pair shape the ends of the strip pairs into points.  Additinal grey rectangles above and/or below each strip pair vary the vertical positions of the blue pairs.


Pay attention to the pressing directions.  Pressing to the left is equivalent to pressing towards the even-numbered fabrics again.  When the panel is done, seams will alternate directions.  This will be important to spin seams next week.

Closeup of the back of a panel composed of fabric strips sewn side by side, showing the seam allowances.  White arrows over each seam allowance show that seams are pressed in alternating direction, to the right, then the left, then the right, and so on.


That's all you need to do from page 5 this week.  We'll save the magic part for next week!

How are things going so far?  Any questions?  Ask in the comments of send me an email.

Happy sewing,
Joanne

8 blue or aqua fabric laid out over a grey fabric.  Each fabric is labelled with the manufacturer's SKU.  Additional text reads "Fabrics were contributed byWhite Owl Textiles for Lumin Fabrics"
Fabrics for my version contributed by White Owl Textiles


Monday, October 5, 2026

City Line QAL - Week 3

Graphic with photo of 8 blue fabrics in the background and a digital mockup of the City Line Quilt in the foreground.  Text reads "City Line Quilt Along, Sept.21 - Oct.26, 2026.  Week 2".
City Line pattern available here

Last week we sewed the strip pairs that will become the columns. This week things start taking shape, literally, as we give shape the ends of the columns.

Turn to Step 3 on page 4 of the pattern. That's all we're sewing this week, but all those stitch-and-flip corners will keep you busy!  For my favourite tips for stitch-and-flip success, check out this tutorial.

Here's what a corner should look like after you've added the background corner.

Closeup of a patchwork unit made of two blue strips sewn together, dark blue on top, light blue on the bottom.  A grey triangle is sewn over the lower right corner, covering the corner of the light blue fabric and slightly overlapping the dark blue where it meets the light blue.

The background triangle (that's the grey in my quilt) covers the corner of one of the strips in the strip set.  Notice that one point of the triangle extends slilghtly into the other strip.  That part will be in the seam allowance.  The red line in the photo below shows you the 1/4" seam allowance.  You can see the point will meet the seam between the strips once the seam allowance is swallowed by a seam later.

Closeup of a patchwork unit made of two blue strips sewn together, dark blue on top, light blue on the bottom.  A grey triangle is sewn over the lower right corner, covering the corner of the light blue fabric and slightly overlapping the dark blue where it meets the light blue.  A red line over the end of he unit shows ahere the next seam will be.


Also notice the trimmed scrap triangles cut out from under the corner.  Remember to trim those as you go.  Don't wait until after you add the triangle to the other corner, because that new stitching will cross this first triangle.  Trimming under that first corner will be tricky of you've already sewn over it when adding the seond corner triangle (see that tutorial I linked above for an illustration).

Repeat on another corner...

A dark blue strip and a light blue strip sewn side by side, laid over a cutting mat.  A grey triangle cuts across the upper right corner of the light blue strip.  A light fabric square with a line drawn diagonally across the back is positioned, wrong side up, in the upper left corner of the dark strip.

...and voilà!  You have a lovely pointed end.  See below how the point is centered on the seam between the strips?

Closeup of one end of a patchwork uiot.  Unit is composed of a dark blue strip to the eft of a light blue strip.  There are grey triangles in the upper left and right corners of the unit shaping the end of the blue strip pair into a point.


Repeat on the other end of the strip set, then on the rest of the strip sets, and you're well on your way to creating the City Line design.

12 pairs of assorted blue strips side by side, with grey triangles shaping each end of each strip pair in a point.  Small white square labels are fixed to the first 8 blue strips, labelled 1 through 8 in order.
Thank you to White Owl Textiles for sending me
 these fabrics from their Fundamentals collections. 
Scroll to the bottom of this post for additional fabric details.


Aren't they pretty, all together?  Don't sew the columns together yet though!  We have more work to do.  See you next week!

Happy sewing,

Joanne

PS:  It's not too late to join in this six-week quilt-along.  Purchase the pattern (if you don't already own a copy) then follow along with the weekly blog posts I'll publish every Monday.  If you'd like to have the links delivered directly to your inbox to avoid having to search for them, or if you'd like to make one of the bonus sizes (twin, full, queen or king) currently exclusive to the QAL, you can register for free here.

8 blue or aqua fabric laid out over a grey fabric.  Each fabric is labelled with the manufacturer's SKU.  Additional text reads "Fabrics were contributed byWhite Owl Textiles for Lumin Fabrics"
Fabrics for my version contributed by White Owl Textiles