Friday, October 23, 2026

Matching seams across sashing

In a perfect world, piecing would be mathematically perfect every time, so that blocks and sashing in different rows always line up perfectly, even when there's sashing between rows.  My world is not perfect, and I have to make a little more effort to make sure things line up.

Small quilt top composed of 6 blue four-patch blocks laid out in a 3 x 2 steeing with grey sashing.  Red lines overlaidon the photo highlight the alignment of the vertical sashing.
Red lines show alignment of the vertical sashing strips

The trick is to mark the sashing in the seam allowance, then match up seams with the marks.  Let's take a closer look.

Here are two vertically sashed rows of four-patch block.  The horizontal sashing between the rows is already sewn to one of the rows, ready to sew to the other row to complete the sashing.  Here's how to make the vertical sashing in the top row line up with the vertical sashing in the bottom row. 

2 rows of 3 blue 4-patch blocks.  There is grey sashing between the blocks on each row, and horizontal sashing betweween the rows is sewn to the bottom row only,  leaving a gap between the rows.


Step 1:  Make reference marks in the seam allowance of the horizontal sashing.

On the part with horizontal sashing already attached, line up the straight edge of a ruler with one side of the vertical sashing, making sure the ruler is square with the horizontal.  Make a little mark right on the edge of the sashing where it will be hidden in the seam allowance. 

Quilting ruler laid over some blue and grey patchwork, lining up with the gray vertical sashing.  A blue marking pen is making a mark at the top of the horizontal sashing strip.

Closeup of a portion of two halves of a grey and blue quilt top.  The horizontal sashing attached to the bottom piece is marked with blue tic marks lilned up with the sides of teh vertical sashing strips

Repeat that for every side of every vertical sashing strip.

Step 2:  When setting the two rows together, right sides together, to sew the sashing to the top row, line up and pin every sashing seam on the top with the corresponding mark on the horizontal sashing. Sorry, I forgot to take a picture of the pinned pieces, but I did photograph the marks and the stitching being lined up.

A pice of patchwork, wrong side up, being positioned to match the stitching lines with markings on another piece of right-side-up patchwork


Step 3:  Head to the sewing machine and sew with a 1/4" seam.

Step 4:  Press towards the sashing.  If you made your marks small enough, they are hidden in the seam allowance.

Small quilt top composed of 6 blue four-patch blocks laid out in a 3 x 2 steeing with grey sashing.

There you have it!  You have well-aligned sashing to help your piecing look crisp and tidy!

Happy sewing,
Joanne


The fabrics I used in this tutorial are scraps from my City Line QAL quilt.  White Owl Textiles generously contributed the fabrics for that quilt.  These scraps are from their Fundamentals collections Peppercorn and Stucco.

Monday, October 19, 2026

City Line QAL - Week 5

Graphic with photo of 8 blue fabrics in the background and a digital mockup of the City Line Quilt in the foreground.  Text reads "City Line Quilt Along, Sept.21 - Oct.26, 2026.  Week 5".
City Line pattern available here

Are you ready to slice up a perfectly good pieced panel?  I'm not going to lie.  This is the part where I have to take a lot of deep breaths!

This week we'll be completing Steps 2 through 6 on page 6 of the pattern.

Here's where we left off last week:

Assorted blue and grey patchwork strips oriented vertically,sewn side by side. Composed of pairs of blue strips side by side with the darker fabric on the left. Grey triangles at each corner of each strip pair shape the ends of the strip pairs into points.  Additinal grey rectangles above and/or below each strip pair vary the vertical positions of the blue pairs.
Thank you to White Owl Textiles for sending me
 these fabrics from their Fundamentals collections. 
Scroll to the bottom of this post for additional fabric details.


To measure and make the cut all the way across this panel, I cleared everything except my cutting mat off my table.  I spread the quilt on the table, letting the bottom of the panel hang off the side.

Quilt top with strips of assorted blue fabric on a grey background, draped over a table, overhanging over the left side of the table.  there is a quilting ruler and a rotary cutter on top of the quilt.

After confirming that the top of the quilt was straight and square with the sides, thanks to all my pinning, I used a 24" ruler and the first method described in my tutorial about cutting wide strips to cut away the top of the panel.  Did I double check the required measurement and my ruler position half a dozen times before wielding the rotary cutter?  Yes.  Yes, I did.  Take your time at this step.

Blue and grey quilt top on a table.  A cutting mat peeks out from under the quilt top. Quilt top is partially cut and a quilting riler and rotary cutter are positioned to extend the cut.

Ta dah!  Two haves.

Quilt top cut in two parts horizontally across the middle.  The top section is shorter than the lower section.  Quilt top is compose of assorted blue vertical strips at various heights on a grey background.

Now slice off a wide strip from the bottom half.  

Section of a quilt top with strips of assorted blue fabric on a grey background, on a table, partially cut across the blue strips. A quilting ruler and a rotary cutter are positioned on top of the fabric to extend the cut.

Quilt top with assorted blue vertical columns, sliced into 3 sections.  The top and bottom sections are of equal height.  The center sections is a thinner strip.

These two cut carved out a strip from the middle of the panel.

Now slice that strip up.

A quilt top featuring assorted blue vertical strips is sliced into 5 wide top and lower sections and 3 skinny strips in the middle.


Flip a couple of those skinny strips.

A quilt top featuring assorted blue vertical strips is sliced into 2 wide top and lower sections and 3 skinny strip sections in the middle.  The upper and lower skinny strips are flipped 180 degrees to reverse the colour order of its parts relative to the other sections.

Sew those skinny strips back together.  If you pressed as the pattern directed, you should be able to nest the seams, as well as spin the seam intersections when you press.  Refer to my tutorial on nesting and spinning seams.  You'll probably want to peek at the one about spinning multiple intersections as well if you're not a habitual seam spinner.

Pressing and spinning after sewing two of the strips together, than adding the third strip, will make things easier.  I'm a big fan of pressing as I go.

Take a peek at my spun seams.  Aren't those little 4-patches in the seam allowances cute.  Enjoy them now before they end up inside the quilt!

The reverse of a patchwork unit showing the seam allowances and the small four patch design created by spinning the seam allowances when pressing..

The reverse of a patchwork unit showing the seam allowances and the small four patch design created at the seam intersectionsby spinning the seam allowances when pressing.

The reverse of a patchwork unit showing the seam allowances and the small four patch design created at the seam intersectionsby spinning the seam allowances when pressing.

That's it for this week.  It's not a lot of sewing, but that gut-check cutting was a little bit daunting so I gave myself an easy week.  Here's where I'm stopping until next week.

3 sections of a quilt top in progess.  The upper and lower sections feature 24 assorted blue fabric strips oriented vertically, arranged side by side, each with a pointy tip.  The center section is composed of small assorted blue squares laid out in a 24 square x 3 square grid.

We'll wrap up next week with sashing and borders.  I can't wait to see your finished tops!

Happy sewing,
Joanne

Fabrics for my version contributed by White Owl Textiles


Monday, October 12, 2026

City Line QAL - Week 4

Graphic with photo of 8 blue fabrics in the background and a digital mockup of the City Line Quilt in the foreground.  Text reads "City Line Quilt Along, Sept.21 - Oct.26, 2026.  Week 4".
City Line pattern available here

It's time to vary the vertical position of the columns and assemble the base panel.  


Add Background Setting Pieces

Turn to page 5 of the pattern.

Refer back to Week 2 when you paired your strips and put them in order.  Arrange your strip sets in that order again.  Only 8 of the fabrics in the photo below are labelled because I chose to just repeat that arrangement and I could use the labelled columns as reference.

12 pairs of assorted blue strips side by side, with grey triangles shaping each end of each strip pair in a point.  Small white square labels are fixed to the first 8 blue strips, labelled 1 through 8 in order.
Thank you to White Owl Textiles for sending me
 these fabrics from their Fundamentals collections. 
Scroll to the bottom of this post for additional fabric details.

Now refer to the table and the diagrams on page 5 to see which background setting pieces to add to each column.  I chose to put the pieces up on my design wall above or below the column they belong with so I could quickly grab columns and setting pieces to sew together.  That's completely optional.  You could just as easily grab a column, consult the table and diagram on page 4 to choose the appropriate setting piece, and head directly to the sewing machine.

12 pairs of assorted blue strips side by side, with grey triangles shaping each end of each strip pair in a point.  Small white square labels are fixed to the first 8 blue strips, labelled 1 through 8 in order.  Grey rectangles in assorted sizes are positioned above and below the blue strip pairs.

When sewing a background piece to a column, I recommend sewing with the column on top.  This way you can see the stitching that forms the point of the column and can make sure your new seam intersects the point so you don't inadvertently blunt the point.

Hand guiding a pieced fabric unit under the presser foot of a sewing machine.

I slow down here and aim for where the previous lines of stitches intersect.

Presser foot and needle of a sewing machine, jusdt behind a seam intersection on a pieced unit being fed under the presser foot..

Wrong side of a patchwork unit, showing intersecting lines of stitching

Let's check that the point didn't get cut off by the new seam.

Closeup of a patchwork unit.  A pair of blue strios, light blue on top and dark blue on the bottom, are tapered to a point by grey triangles added to the corners.  Additional grey fabric beside the triangles extends the length of the unit.

Looks good!  Repeat to add setting pieces to all the columns. 

12 long patchwork units, oriented vertically, displayed side by side.  Each unit is composed of two blue strips sewn side by side with the darker fabric on the left. Grey triangles at each corner of the strip pair shape the ends of the strip pairs into points.  Additinal grey rectangles above and/or below each strip pair vary the vertical positions of the blue pairs.


This is starting to look like the cover design!


Assemble Column Into a Panel

To wrap up this week's tasks, turn to page 6 and complete Step 1, sewing the columns together into a panel.  I recommend marking centers, matching ends, and pinning as you did when you made the strip sets in Week 2.  You can review the pinning tutorial if you need to.

12 long patchwork units, oriented vertically, displayed side by side.  Each unit is composed of two blue strips sewn side by side with the darker fabric on the left. Grey triangles at each corner of the strip pair shape the ends of the strip pairs into points.  Additinal grey rectangles above and/or below each strip pair vary the vertical positions of the blue pairs.  Pairs are sewn together into groups of 2.

12 long patchwork units, oriented vertically, displayed side by side.  Each unit is composed of two blue strips sewn side by side with the darker fabric on the left. Grey triangles at each corner of the strip pair shape the ends of the strip pairs into points.  Additinal grey rectangles above and/or below each strip pair vary the vertical positions of the blue pairs.  Pairs are sewn together into groups of 4

Assorted blue and grey patchwork strips oriented vertically,sewn side by side. Composed of pairs of blue strips side by side with the darker fabric on the left. Grey triangles at each corner of each strip pair shape the ends of the strip pairs into points.  Additinal grey rectangles above and/or below each strip pair vary the vertical positions of the blue pairs.


Pay attention to the pressing directions.  Pressing to the left is equivalent to pressing towards the even-numbered fabrics again.  When the panel is done, seams will alternate directions.  This will be important to spin seams next week.

Closeup of the back of a panel composed of fabric strips sewn side by side, showing the seam allowances.  White arrows over each seam allowance show that seams are pressed in alternating direction, to the right, then the left, then the right, and so on.


That's all you need to do from page 5 this week.  We'll save the magic part for next week!

How are things going so far?  Any questions?  Ask in the comments of send me an email.

Happy sewing,
Joanne

8 blue or aqua fabric laid out over a grey fabric.  Each fabric is labelled with the manufacturer's SKU.  Additional text reads "Fabrics were contributed byWhite Owl Textiles for Lumin Fabrics"
Fabrics for my version contributed by White Owl Textiles